Master The Workflow – Feature Film Assistant Editor Immersion 1.0

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Master The Workflow – Feature Film Assistant Editor Immersion 1.0

By 2024 ALL streaming services will be available worldwide.

02.REVENUE

In 2020 streaming services won 2.1 billion dollars, 37% more than the previous year.

03.QUANTITY

The competition is FIERCE! Warner Media, Disney, Apple and others all launched new streaming services. Film & TV production is at an ALL TIME HIGH!

THE PROOF?

What Our Students Have To Say

Mark B. (Los Angeles, CA)

THESE TOOLS REALLY, REALLY HELP!

“This program has been nothing but eye-opening. It gave me the confidence to handle the projects I’ve worked on! I wish this was the class and the teachers I had in school. This program has been the key to my success!”

Irene C. (Los Angeles, CA)

MTW WAS THERE WHEN I DIDN’T KNOW WHAT
ELSE TO DO!

“The program was so helpful when I had a question or when I needed anything. It’s really nice to know that I have this with me in case I need it someday! Good to know that I can always count on Master The Workflow!”

What You’ll Learn Inside

01 – Module

Pre-Production

-Terms, concepts and paperwork
-Initial meeting with your editor
-The pre-production and post pipeline meetings

02 – Module

Setting Up

-Setting up the cutting room
-Peripheral software needs
-Setting up the project
-Avid project layout and bin organization
-Avid ISIS organization
and workspaces

03 – Module

Digital
Codebook

-Globals, continuity, wall cards & shoot progress reports
-The Core Codebook – Walkthrough
-The Core Codebook – Continued
-Lists & Logs – 1
-Lists & Logs – 2
-Reports
-VFX Database
-Petty Cash Tracker

04 – Module

Principal Photography

-Lab Dailies
-Syncing Dailies Manually
-Dailies – Continued
-Using ScriptSync
-Dailies Paperwork

05 – Module

Editorial

-Music & Sound FX Organization
-Visual Effects Prep & Tracking
-Editorial – Part 3
-Spotting Sessions
-Previews & Test
Screening
-Editing Room Diplomacy

06 – Module

Finishing

-Visual Effects
-Picture Turnovers
-Change Lists &
Re-balancing
-Sound Turnovers
-DI Stage, Mix Stage,
Deliverables & Wrap-up

MEET YOUR INSTRUCTORS

Lawrence Jordan, ACE

Lawrence Jordan is an Emmy & ACE Eddie nominated feature film and television editor who has worked on over 50 feature films and television shows and is the co-creator of Master The Workflow. As one of the earliest adopters of digital, non-linear editing, he helped lay the groundwork for the modern editorial workflow. He recently completed the independent feature film Later Days.

Richard Sanchez

Richard Sanchez works as both a visual effects editor and an assistant editor. He’s assisted on the films Suicide Squad, Robin Hood and Naked, and on the television series Table 19, The Good Place and UFO Hunters. More recently he was the visual effects editor on Hulu’s Catch-22 and Bill & Ted Face The Music. He is currently working on a new series for Marvel Studios.

The Feature Film Assistant Editor Immersion course comes with valuable bonuses you won’t find ANYWHERE else!

THE DIGITAL CODEBOOK

The Digital Codebook is a comprehensive set of custom designed and connected FileMaker Pro databases, which Richard used on his last three films, including Catch-22 for Hulu, Bill & Ted Face The Music, and his current project, the series Sweet Tooth for Netflix.
Nearly two years in the making, The Digital Codebook tracks picture, sound, visual effects, script notes, continuities and every other facet of the editorial process. It even has a section that tracks petty cash.

Commonly Asked Questions:

1. Business Model Innovation: Acknowledge the reality of a legitimate enterprise! Our approach involves the coordination of a collective purchase, in which the costs are shared among the participants. We utilize this cash to acquire renowned courses from sale pages and make them accessible to individuals with restricted financial resources. Our clients appreciate the affordability and accessibility we provide, despite the authors’ concerns.
2. Feature Film Assistant Editor Immersion 1.0 Course

• There are no scheduled coaching calls or sessions with the author.
• Access to the author’s private Facebook group or web portal is not permitted.
• No access to the author’s private membership forum.
• There is no direct email support available from the author or their team.