Andrew Scrivani – Business of Commercial Food Photography

Description

Business of Commercial Food Photography , Andrew Scrivani – Business of Commercial Food Photography download

Andrew Scrivani – Business of Commercial Food Photography

• 37 Video lessons in HD
• 9h 5m of class content

LESSONS

1. Class Introduction
2. How To Get Work As A Food Photographer
3. Understanding Your Skill Level And Your Market
4. How To Grow Your Business
5. Opportunities In Commercial Food Photography
6. How Do You Market Yourself
7. The Importance Of Attitude And Communication
8. Understanding Insurance Responsibilities And Liability
9. Understanding Taxes And Accounting
10. The Importance Of Representation And How To Get It
11. File Management And Protection
12. Understanding Stock Photography As A Business
13. Contracts: The Law And Your Rights
14. Negotiating With Clients: 10 Questions You Need To Ask–Part 1
15. Negotiating With Clients: 10 Questions You Need To Ask–Part 2
16. Negotiating And Talking Money With Clients
17. Who Are The Players In Commercial Food Photography
18. How To Manage Client Expectations
19. Real Life Client Interview: Art Of The Pie Cookbook
20. How To Assemble A Team
21. The Production Team
22. On Set Support
23. Editors And Post Production
24. Introduction To The Live Shoot
25. Live Shoot: Plate #1
26. Live Shoot: Plate #2
27. Live Shoot: Plate #3
28. Live Shoot: Plate #4
29. What Expenses Are Associated With A Shoot
30. How To Calculate Your Rate
31. What Is Usage?
32. How To Anticipate Expenses
33. Calculating Price Based On Rates, Usage And Expenses
34. Where Do You Go Next?
35. Continuing Education And Research
36. How To Get Your Work Out There And Get Noticed
37. Treatments And Final Wrap-Up

CLASS DESCRIPTION

Stand Out In A Popular Marketplace

Being confident in your photography is only the start of growing your success as a food photographer. Knowing how to pitch yourself to clients, communicate with vendors, and set yourself apart from a populated market are just some of the business techniques that are essential in seeing you profit from your work. Andrew Scrivani joins CreativeLive to help you take your photography and business to a place where you can start making it a successful career. He’ll cover:

• How to get work in the Food Photography Industry
• How to promote and network yourself to grow your client list
• Techniques on communicating with your vendors and clients on set and off

Make your photography work for you and make money while shooting what you love.

ANDREW SCRIVANI

Andrew is a photographer, director and producer who has worked on editorial, publishing, advertising, content creation, documentary and feature film projects. He is also an internationally recognized workshop instructor and author and columnist on the subject of visuals. Andrew is also an Executive Producer for the film company Borough Five Pictures and has recently completed work on his first full-length feature film, Team Marco. Some of Andrew’s clients include The New York Times, Conde Nast, Meredith Corporation, Hearst Corporation, Apple, Adobe, CreativeLIVE, Disney, Hay House Publishing, Clarkson Potter, Harper Collins, Norton and Grey Advertising.

Andrew’s recent work includes directing and photographed the latest campaigns for Oprah Winfrey’s O That’s Good Foods and Bumble Bee Tuna as well as directing a short documentary film for The New Yorker Magazine, The Blades of New York’s ‘Forged In Fire’ Contestants.

Commonly Asked Questions:

1. Business Model Innovation: Acknowledge the reality of a legitimate enterprise! Our approach involves the coordination of a collective purchase, in which the costs are shared among the participants. We utilize this cash to acquire renowned courses from sale pages and make them accessible to individuals with restricted financial resources. Our clients appreciate the affordability and accessibility we provide, despite the authors’ concerns.
2. Business of Commercial Food Photography Course

• There are no scheduled coaching calls or sessions with the author.
• Access to the author’s private Facebook group or web portal is not permitted.
• No access to the author’s private membership forum.
• There is no direct email support available from the author or their team.