Jim Denault, ASC – Shooting The Scene

Description

Shooting The Scene , Jim Denault, ASC – Shooting The Scene download

Jim Denault, ASC – Shooting The Scene

• 15 Video lessons in HD
• 5h 11m of class content
• Exclusive bonus content

LESSONS

1. The Gear List: What Is A Light Meter & Color Chart
2. The Gear: What Are Flags, C-Stands, & Dollies
3. Exterior Shoot: Walk Through The Shot List
4. Exterior Shoot: How To Block The Scene With Actors
5. Exterior Shoot: Wide Shot Dolly In
6. Exterior Shoot: Close Up Of Dan
7. Exterior Shoot: Position Check & Action
8. Exterior Shoot: Close Up Of Notebook
9. Interior Shoot: Dan Wide Shot
10. Interior Shoot: Dan Medium Shot
11. Interior Shoot: Dan Close Up
12. Interior Shoot: Over The Shoulder & Details
13. End Of Day: Reviewing Exterior Dallies
14. Bonus Segment 1
15. Bonus Segment 2

CLASS DESCRIPTION

Translate Your Vision Into A Practical Shooting Plan.

There is no greater filmmaking challenge than translating one’s cinematic vision into a practical shooting plan that produces edit-able footage. In Shooting The Scene, renowned cinematographer Jim Denault, ASC teaches you how to take a production plan and shoot efficiently, economically, and artistically.

Jim’s award-winning work includes The Campaign, Boys Don’t Cry, and Game Change. In this class, he’ll share insights from his experience shooting both indie and studio films and teach you how to translate your vision into a series of filmed units (aka “coverage”).

You’ll learn how to:

• Set the aesthetic and technical approaches for each shot
• Determine how many shots you’ll need within a scene
• Balance practical limitations and still acquire what’s best for the scene

Shooting The Scene will help all cinematographers, camera operators, and filmmakers develop a more systematic approach to planning a shoot. You’ll become more equipped to take an idea that only lives in your mind and turn it into an actionable shooting plan.

JIM DENAULT, ASC

Jim Denault, ASC got his start shooting distinctive independent features. He has gone on to photograph in a wide range of film and television genres. An interest in photography from an early age led him to study at the Rochester Institute of Technology where he received a BFA in Photographic Illustration.His feature projects include Trumbo, directed by Jay Roach and starring Bryan Cranston; Recount, Game Change and The Campaign also directed by Jay Roach; Boys Don’t Cry directed by Kimberly Peirce, Clear History, directed by Greg Mottola, starring Larry David; Maria Full of Grace directed by Joshua Marston, City of Ghosts for writer/director Matt Dillon, The Sisterhood of the Traveling Pants 2 directed by Sanaa Hamri; Pitch Perfect 2, directed by Elizabeth Banks; and Muhammad Ali’s Greatest Fight, directed by Stephen Frears.

Television credits include HBO’s Silicon Valley, Getting On, Six Feet Under, and Carnivàle and Fox’s Wayward Pines, starring Matt Dillon, Terrance Howard and Melissa Leo.

Jim got started shooting video for industrial training tapes and cable access with electronic cinematography before it was considered fashionable. He is a pioneer of indie digital filmmaking, but – by the way -he can also shoot film!

Jim has been nominated for both Independent Spirit Awards and Emmys for Best Cinematography. He is a member of The Academy of Motion Picture Arts and Sciences, The Academy of Television Arts and Sciences and The American Society of Cinematographers.

He enjoys running, swimming, biking, skiing, and sailing.

Commonly Asked Questions:

1. Business Model Innovation: Acknowledge the reality of a legitimate enterprise! Our approach involves the coordination of a collective purchase, in which the costs are shared among the participants. We utilize this cash to acquire renowned courses from sale pages and make them accessible to individuals with restricted financial resources. Our clients appreciate the affordability and accessibility we provide, despite the authors’ concerns.
2. Shooting The Scene Course

• There are no scheduled coaching calls or sessions with the author.
• Access to the author’s private Facebook group or web portal is not permitted.
• No access to the author’s private membership forum.
• There is no direct email support available from the author or their team.