James Patrick – Synthesis and Sound Design 101

Description

Synthesis and Sound Design 101 , James Patrick – Synthesis and Sound Design 101 download

James Patrick – Synthesis and Sound Design 101

• 9 Video lessons in HD
• 2h 47m of class content

LESSONS

1. Intro To Synthesis And The Nature Of Sound
2. Subtractive Synthesis With The Ableton Analog
3. FM Synthesis With Native Instrument’s FM8 And The Ableton Operator
4. Wavetable Synthesis With Native Instruments Massive
5. Custom Wavetable Designs With U-He Zebra2
6. Physical Modeling With Live’s A.A.S. Devices
7. The Dimensions Of Audio Signal Processing
8. Series And Parallel Processing With Effect Racks
9. Professional Resampling Workflows

CLASS DESCRIPTION

Experience The Gamut Of Professional Sound Design Techniques From Analog Synthesis To Advanced Sampling And Digital Signal Processing.

This course is SLAM Academy’s introductory offer for people who want their music to stand on its own. In Sound Design 101, we’ll uncover each of the main elements of what it takes to be a cutting-edge electronic sound designer. After an explanation of analog synthesis, we’ll feature demonstrations of techniques and tools for FM, granular, wavetable, physical modeling, multi-sampling, and signal processing. Students can expect personalized technique demonstrations from Ableton Live, Max for Live, U-He Instruments, Applied Acoustics Systems, Glitchmachines, Native Instruments Systems, and Eurorack Modular Synthesizer components.

JAMES PATRICK

James Patrick is a 15+ year DJ, producer, curator, and educator. He is a producer and sound artist who thrives on bringing together the creative energy and ideas of his community. Through collaboration and experimentation, he creates immersive environments that explore the evolving definitions of sound art. His record labels (Timefog Recordings) and events are both supported by some of the greatest names in electronic music, and his personal recordings continue to make waves in the international electronic music circuit. Through his professional involvement in both academic and popular electronic realms, James curates and develops internationally recognized festivals and events in the electronic music and arts. James is the owner of a successful art gallery (Gamut Gallery) and electronic music school (Slam Academy) in Minneapolis in Minneapolis, platforms that he uses to foster and showcase new ideas and talents in the field of technology arts. James is also the recipient of many awards, including the American Composer’s Forum MECA award.

JP teaches and develops curricula in the fields of sound design, composition, music production at various music production institutions including Dubspot in New York City and The Institute of Production and Recording in Minneapolis. He is also founder and owner of the Minnesota based electronic music institution, Slam Academy. At this Academy, students learn in a hands on, fun environment, how to create music with Live and Max for Live. He was a pilot member of the Ableton Trainer Certification program, and he currently teaches private lessons, clinics, and workshops on behalf of himself, Slam Academy, The Institute of Production and Recording, and Ableton, Inc.

James has more than ten years of professional experience directing events and playing music alongside other innovators in the genre, including Morton Subotnik, Alvin Lucier, Pole, Speedy J, Richard Devine, Bruno Pronsato, Akufen, Rich Hawtin, Magda, Barem, Deadbeat/Crackhaus, and many others.

Commonly Asked Questions:

1. Business Model Innovation: Acknowledge the reality of a legitimate enterprise! Our approach involves the coordination of a collective purchase, in which the costs are shared among the participants. We utilize this cash to acquire renowned courses from sale pages and make them accessible to individuals with restricted financial resources. Our clients appreciate the affordability and accessibility we provide, despite the authors’ concerns.
2. Synthesis and Sound Design 101 Course

• There are no scheduled coaching calls or sessions with the author.
• Access to the author’s private Facebook group or web portal is not permitted.
• No access to the author’s private membership forum.
• There is no direct email support available from the author or their team.